MENU   

Germaine Dulac

A Cinema of Sensations (book in English)

by Tami Williams

Type
Biographies
Subject
DirectorGermaine Dulac
Keywords
Germaine Dulac, silent cinema
Publishing Date
2014
Publisher
University of Illinois Press
Collection
Women's Media History Now
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Dimensions
Physical desc.
Paperback • 296 pages • 28,88 €
6 x 9 inches (15 x 23 cm)
Also available as an eBook.
ISBN
978-0-252-07997-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac's passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory.

In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director's work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period.

This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women's studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.

See the publisher website: University of Illinois Press

> From the same author:

Germaine Dulac, au-delà des impressions : Revue 1895 hors-série

Germaine Dulac, au-delà des impressions (2006)

Revue 1895 hors-série

Collective dir. Tami Williams and Laurent Véray

Subject: Director > Germaine Dulac

> Books with the same or similar title:

Germaine Dulac:Der Film ist ein weit auf das Leben geöffnetes Auge

Germaine Dulac (2017)

Der Film ist ein weit auf das Leben geöffnetes Auge

by Brigitte Mayr and Heide Schlüpmann
(in German)

Subject: Director > Germaine Dulac

> On a related topic:

Note: A book on a slightly gray background is a book that is no longer currently published or that may be difficult to find in bookstores. The shown price is that of the book at its release, the price on the second-hand market may be very different.
A book on a beige background is a book published in a language other than French.

23555 books listed   •   (c)2014-2024 livres-cinema.info   •