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On a related topic:

Un cinéma aux mille visages:Le film à épisodes en France (1915-1932)

Un cinéma aux mille visages (2012)

Le film à épisodes en France (1915-1932)

by Christophe Trebuil

Subject: Silent Cinema

Avez-vous peur du cinéma ?:Chroniques (1919-1931)

Avez-vous peur du cinéma ? (2024)

Chroniques (1919-1931)

by Germaine Dulac

Subject: Director > Germaine Dulac

Qu'est-ce que le cinéma ?

Qu'est-ce que le cinéma ? (2019)

by Germaine Dulac
(in French and English)

Subject: Director > Germaine Dulac

Germaine Dulac:Der Film ist ein weit auf das Leben geöffnetes Auge

Germaine Dulac (2017)

Der Film ist ein weit auf das Leben geöffnetes Auge

by Brigitte Mayr and Heide Schlüpmann
(in German)

Subject: Director > Germaine Dulac

Le Cinéma de ma mémoire:Hommage personnel à Germaine Dulac telle que je l'ai connue

Le Cinéma de ma mémoire (2005)

Hommage personnel à Germaine Dulac telle que je l'ai connue

by L. B. Danou

Subject: Director > Germaine Dulac

Germaine Dulac

A Cinema of Sensations (book in English)

by Tami Williams

Type
Biographies
Subject
DirectorGermaine Dulac
Keywords
Germaine Dulac, silent cinema
Publishing date
2014
Publisher
University of Illinois Press
Collection
Women's Media History Now
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 296 pages • 28,88 €
6 x 9 inches (15 x 23 cm)
Also available as an eBook.
ISBN
978-0-252-07997-9
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Book Presentation:
Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac's passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory.

In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director's work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period.

This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women's studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.

See the publisher website: University of Illinois Press

See the complete filmography of Germaine Dulac on the website: IMDB ...

> Books with the same or similar title:

Germaine Dulac:Der Film ist ein weit auf das Leben geöffnetes Auge

Germaine Dulac (2017)

Der Film ist ein weit auf das Leben geöffnetes Auge

by Brigitte Mayr and Heide Schlüpmann
(in German)

Subject: Director > Germaine Dulac

> From the same author:

See more books in English from the author Tami Williams

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