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Pour une cinémathèque égyptienne: Préalables théoriques, méthodologie, faisabilité

Pour une cinémathèque égyptienne (2019)

Préalables théoriques, méthodologie, faisabilité

by Marwa El Sahn

Subject: Countries > Middle-East

La sortie au cinéma:Palaces et ciné-jardins d'Egypte, 1930-1980

La sortie au cinéma (2016)

Palaces et ciné-jardins d'Egypte, 1930-1980

by Marie-Claude Bénard

Subject: Countries > Middle-East

Arab Cinema:History and Cultural Identity

Arab Cinema (1999)

History and Cultural Identity

by Viola Shafik
(in English)

Subject: Countries > Middle-East

Politique du cinéma iranien: De l'âyatollâh Khomeiny au président Khâtami

Politique du cinéma iranien (2004)

De l'âyatollâh Khomeiny au président Khâtami

by Agnès Devictor

Subject: Countries > Middle-East

Egyptian Cinema and the 2011 Revolution

Production, Censorship and Political Economy (book in English)

by Ahmed Ghazal

Type
Studies
Subject
CountriesMiddle-East
Keywords
Egypt, politics
Publishing date
2020
Publisher
I.B.Tauris
Collection
(non-series)
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 208 pages • 137 €
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-7556-0314-5
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Book Presentation:
Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention
Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them

See the publisher website: I.B.Tauris

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