BackMeshes of the Afternoon
(book in English)
- Type
- Studies
- Subject
- One Film > Meshes of the Afternoon
- Maya Deren, Alexander Hammid, avant-garde
- Publishing Date
- 2020
- Publisher
- BFI Publishing
- Collection
- BFI Film Classics
2nd edition - Language
- English
Relative size
- Physical desc.
- Paperback • 136 pages • 16 €
5 ½ x 8 ¼ inches (14 x 21 cm) - ISBN
- 978-1-8387-1972-2
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Book Presentation:
Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the most important film in the history of American avant-garde cinema. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist. Its focus - through a series of intricate and interlocking dream sequences - on female experience and the domestic sphere links Meshes to the Hollywood melodramas of the period, while its unsettling atmosphere of dread, death and doubles makes it a counter-cinematic cousin to film noir. The film has influenced not only the subsequent history of experimental film, but also on the work of Hollywood auteurs. It is a touchstone of women's film-making, of modern cinema and of modern art. John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren. He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics. Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms. In his foreword to this new edition, Rhodes reflects upon the film's continuing importance for and influence upon feminist and avant-garde filmmaking.
See the publisher website: BFI Publishing
Previous edition
Meshes of the Afternoon (2011)
Publisher: BFI Publishing
(old edition)(in English)
Subject: One Film > Meshes of the Afternoon
See Meshes of the Afternoon on IMDB ...
> On a related topic:
Dialogues théoriques avec Maya Deren (2000)
Du cinéma expérimental au film ethnographique
Subject: Director > Maya Deren
L'Homme à la caméra, D. Vertov, 1929 (2009)
Analyse d'une œuvre
Subject: One Film > Man with a Movie Camera
Artaud-Dulac, la coquille et le clergyman (2009)
Essai d'élucidation d'une querelle mythique
by Odette Virmaux and Alain Virmaux
(in French and English)
Subject: One Film > The Seashell and the Clergyman
L'homme à la caméra de Dziga Vertov (1990)
Subject: One Film > Man with a Movie Camera
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