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Martin Scorsese

Interviews (book in English)

by Peter Brunette

Type
Interviews
Subject
DirectorMartin Scorsese
Keywords
Martin Scorsese, director, interviews
Publishing Date
1999
   > See the newer edition (2017)
Publisher
University Press of Mississippi
Collection
Conversations with Filmmakers
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 277 pages • ? €
6 x 9 inches (15 x 23 cm)
Also available as an eBook.
ISBN-10
ISBN-13
1-57806-072-9
978-1-57806-072-6
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Book Presentation:
From the moment he captured the film world's attention with Mean Streets (1973), a portrait of life at the fringes of the Mob, it was clear that a dazzling cinematic talent had arrived on the scene. With Robert DeNiro, one of the most talented young actors from this film, Scorsese went on to make some of the greatest American films of the postwar period, including Taxi Driver (1976), Raging Bull (1980), and Goodfellas (1990). A Scorsese film seldom fails to stir controversy, for his devotion to realism has led him to forthrightly depict violence and its frightening randomness in the modern world. His biblical film also created quite a stir. This adaptation of Kazantzakis's The Last Temptation of Christ generated outrage among conservative religious leaders.

Scorsese, however, has not limited himself to contemporary, violent urban dramas or new interpretations of biblical subjects. Other widely heralded Scorsese films include Alice Doesn't Live Here Anymore (1974), New York, New York (1977), The Last Waltz (1978), The King of Comedy (1983), After Hours (1985), The Color of Money (1986), Cape Fear (1991), The Age of Innocence (1993), Casino (1995), and Kundun (1998).

These interviews begin with conversations about the highly autobiographical Mean Streets (1973), which first brought Scorsese serious attention, and end with conversations about Kundun, an overtly political biography of the Dalai Lama of Tibet, released in early 1998.

“I look for a thematic idea running through my movies, he says, and I see that it's the outsider struggling for recognition. I realize that all my life I've been an outsider, and above all, being lonely but never realizing it. ”

See the publisher website: University Press of Mississippi

Newer edition

Martin Scorsese:Interviews

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