MENU   

Between the Eye and the World

The Emergence of the Point-of-View Shot (book in English)

by Elena Dagrada

Type
Studies
Subject
Theory
Keywords
theory, shot, perception
Publishing Date
2014
Publisher
Peter Lang (P.I.E.)
Collection
Repenser le cinéma
vol.6
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 246 pages • 66 €
5 ¾ x 8 ½ inches (14.5 x 21.5 cm)
Also available as an eBook.
ISBN
978-90-5201-035-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
The point-of-view shot is usually perceived as a «natural» device, yet its naturalness is illusory. This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint. In so doing, it shows that what would become the point-of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape.

About the Author:
Elena Dagrada is Professor of Cinema Studies at the Università degli Studi di Milano. She was a member of the Executive Committee of Domitor (the international association for the study of early cinema) from 1993 to 1997 and wrote the second edition of its International Bibliography on Early Cinema (1995). Among her other books are La grande rapina al treno. The Great Train Robbery (Edwin S. Porter, 1903) e la storia del cinema (2011), and Le varianti trasparenti. I film con Ingrid Bergman di Roberto Rossellini (2005), winner of the Limina prize for the Best Italian Film Studies Book and published in a second enlarged edition in 2008. Since 2012, she has been in charge of Mimesis’ series, «Cinema/Origini».

See the publisher website: Peter Lang (P.I.E.)

> On a related topic:

Le Pouvoir de l'oubliée:La perception au cinéma

Le Pouvoir de l'oubliée (2015)

La perception au cinéma

by Lucie Roy

Subject: Theory

La Part du spectateur : Essai de philosophie à propos du cinéma

La Part du spectateur (2016)

Essai de philosophie à propos du cinéma

by Florence Gravas

Subject: Theory

Cinéma et Fiction:Essai sur la réception filmique

Cinéma et Fiction (2016)

Essai sur la réception filmique

by Michel Condé

Subject: Theory

L'œil qui lit:Significations des images

L'œil qui lit (2013)

Significations des images

by Bernard Lamizet

Subject: Theory

Le cinéma est un songe:Les nouvelles images et les principes de la modernité

Le cinéma est un songe (2013)

Les nouvelles images et les principes de la modernité

by Andrea Rabbito

Subject: Theory

Le Cinéma en situation: Expériences et usages du film

Le Cinéma en situation (2012)

Expériences et usages du film

Dir. Laurent Creton, Laurent Jullier and Raphaëlle Moine

Subject: Theory

L'Œil et l'objectif:La psychologie de la perception à l'épreuve du style cinématographique

L'Œil et l'objectif (2012)

La psychologie de la perception à l'épreuve du style cinématographique

by Clélia Zernik

Subject: Theory

Note: A book on a beige background is a book published in a language other than French.

23714 books listed   •   (c)2014-2024 livres-cinema.info   •