The Philosophy of Science Fiction Film
(book in English)
Edited by Steven M. Sanders
Average rating:
0 | rating | = We can do without |
0 | rating | = Good book |
0 | rating | = Excellent book |
0 | rating | = Unique / a reference |
Your rating: -
Book Presentation:
From Metropolis (1927) to The Matrix (1999), science fiction films have captivated audiences worldwide for more than seven decades. In recent years, philosophers have turned their eyes towards the same screen, attracted by the salient storylines, conflicts, and themes nestled amongst the new technologically and time altered landscapes. They have discovered that science fiction films offer more than an imaginative escape from the real world -- they also provide a rich medium through which to address issues of identity, consciousness, agency, space, time, causality, and other categories of experience.
Editor Steven M. Sanders argues that the appeal of science fiction films has led to a proliferation of misguided interpretations and weak arguments in the film criticism of the genre. The Philosophy of Science Fiction Film aims to restore integrity to science fiction film criticism by penetrating the surface of the films in order to unearth the presupposed philosophical arguments, ethical perspectives, and metaphysical views that underlie them.
The first section, "Enigmas of Identity and Agency" treats issues of identity, moral agency, and the meaning of being human in films such as Total Recall (1990), Blade Runner (1982), and Invasion of the Body Snatchers (1956). In the second part, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors dissect such films as 2001: A Space Odyssey, The Terminator, and The Day the Earth Stood Still to examine the implications of new technology on civilization, the paradoxes surrounding artificial intelligence, and the possibilities offered by time travel. The final section, "Braver New World: Science Fiction Futurism" looks at Metropolis, The Matrix, Alphaville, and screen adaptations of Orwell's 1984 to analyze our visions of the future and humans' role in it.
The Philosophy of Science Fiction Film highlights the interconnectivity of the science fiction genre and philosophy. The contributing philosophers, film critics, and scholars highlight the relationship between philosophy and science fiction film, offering original philosophical perspectives on the logical possibility and paradoxes of personal identity, the nature of consciousness and artificial intelligence, time travel, encounters with extraterrestrials, and transformations of the future.
See the publisher website: University Press of Kentucky
> On a related topic:
Kaiju, envahisseurs & apocalypse (2020)
L’Âge d’or de la science-fiction japonaise
by Fabien Mauro
Subject: Genre > Science fiction
Les Chroniques de la Science-Fiction (2015)
Une histoire en images de toute la SF depuis ses origines
by Guy Haley
Subject: Genre > Science fiction
Générations Science-fiction (2015)
De Flash Gordon à Matrix
by Patrice Girod and Arnaud Grunberg
Subject: Genre > Science fiction
Le Guide des séries de science-fiction (2018)
by Vivien Lejeune, Romain Dasnoy and Sébastien Mirc
Subject: Genre > Science fiction
Note: A book on a slightly gray background is a book that is no longer currently published or that may be difficult to find in bookstores. The shown price is that of the book at its release, the price on the second-hand market may be very different.
A book on a beige background is a book published in a language other than French.