The Sounds of Early Cinema
(book in English)
by Richard Abel
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Book Presentation:
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. Silent cinema may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910).
See the publisher website: Indiana University Press
> From the same author:
Menus for Movieland (2015)
Newspapers and the Emergence of American Film Culture 1913-1916
by Richard Abel
(in English)
Subject: Silent Cinema
Early Cinema and the National (2008)
Dir. Richard Abel, Giorgio Bertellini and Rob King
(in English)
Subject: Silent Cinema
Americanizing the Movies and Movie-Mad Audiences (2006)
1910-1914
by Richard Abel
(in English)
Subject: Silent Cinema
The Ciné Goes to Town (1998)
French Cinema 1896 - 1914
by Richard Abel
(in English)
Subject: Silent Cinema
French Film Theory and Criticism 1929-1939 (1988)
vol.1: 1907-1929 - vol. 2: 1929-1939
by Richard Abel
(in English)
> On a related topic:
Nouvelles techniques et culture régionale (2005)
Les premiers temps du cinéma dans le Vaucluse (1896-1914)
Subject: Silent Cinema
Le Cinéma au tournant du siècle (1999)
Cinema at the turn of century
Dir. Claire Dupré la Tour, André Gaudreault and Roberta Pearson
Subject: Silent Cinema
Silent Cinema (2019)
A Guide to Study, Research and Curatorship
by Paolo Cherchi Usai
(in English)
Subject: History of Cinema
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