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The Sounds of Early Cinema

(book in English)

by Richard Abel

Type
Studies
Subject
Silent Cinema
Keywords
history of cinema, early cinema, sound
Publishing Date
2001
Publisher
Indiana University Press
Collection
(no collection)
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 344 pages • 23 €
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-253-21479-3
978-0-253-21479-9
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Book Presentation:
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. Silent cinema may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910).

See the publisher website: Indiana University Press

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