MENU   

Specters of Slapstick & Silent Film Comediennes

(book in English)

by Maggie Hennefeld

Type
Studies
Subject
History of Cinema
Keywords
silent cinema, woman, history of cinema, slapstick
Publishing Date
2018
Publisher
Columbia University Press
Collection
Film and Culture Series
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 384 pages • 29 €
6 x 9 inches (15 x 23 cm)
ISBN
978-0-231-17947-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds―and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world.

Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.

See the publisher website: Columbia University Press

> From the same author:

Death by Laughter:Female Hysteria and Early Cinema

Death by Laughter (2024)

Female Hysteria and Early Cinema

by Maggie Hennefeld
(in English)

Subject: Silent Cinema

> On a related topic:

Pink-Slipped:What Happened to Women in the Silent Film Industries?

Pink-Slipped (2018)

What Happened to Women in the Silent Film Industries?

by Jane M. Gaines
(in English)

Subject: History of Cinema

Slapstick Divas:The Women of Silent Comedy

Slapstick Divas (2017)

The Women of Silent Comedy

by Steve Massa
(in English)

Subject: Genre > Comedy/Humor

Women in Silent Cinema:Histories of Fame and Fate

Women in Silent Cinema (2017)

Histories of Fame and Fate

by Annette Förster
(in English)

Subject: Silent Cinema

Action ! Anthologie du cinéma: Tome I - Des Origines à 1929

Action ! Anthologie du cinéma (2019)

Tome I - Des Origines à 1929

by Matthieu Blomme

Subject: History of Cinema

Silent Cinema:A Guide to Study, Research and Curatorship

Silent Cinema (2019)

A Guide to Study, Research and Curatorship

by Paolo Cherchi Usai
(in English)

Subject: History of Cinema

Histoire générale du cinéma 5:L'art muet (L'après-guerre en Europe) 1919-1929

Histoire générale du cinéma 5 (1975)

L'art muet (L'après-guerre en Europe) 1919-1929

by Georges Sadoul

Subject: History of Cinema

Histoire générale du cinéma 6:L'art muet 1919-1929 (2. Hollywood, la fin du muet)

Histoire générale du cinéma 6 (1975)

L'art muet 1919-1929 (2. Hollywood, la fin du muet)

by Georges Sadoul

Subject: History of Cinema

Histoire générale du cinéma 4:Le cinéma devient un art  (La Première Guerre mondiale) 1909-1920

Histoire générale du cinéma 4 (1974)

Le cinéma devient un art (La Première Guerre mondiale) 1909-1920

by Georges Sadoul

Subject: History of Cinema

Note: A book on a slightly gray background is a book that is no longer currently published or that may be difficult to find in bookstores. The shown price is that of the book at its release, the price on the second-hand market may be very different.
A book on a beige background is a book published in a language other than French.

23663 books listed   •   (c)2014-2024 livres-cinema.info   •