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Cinéma, critique des images

(book in French)

Edited by Claudia D'Alonzo, Ken Slock and Philippe Dubois

Type
Studies
Subject
Theory
Keywords
memory, archives, aesthetics
Publishing Date
2012
Publisher
Campanotto
Collection
Zeta cinema
Edition multilingue
Language
French
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 332 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-88-456-1288-6
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Book Presentation:
(Lectures in French and English.)

This second volume emphasizes on an angle of research seldom adressed in the previous volumes, which considers cinéma as a form or a critical tool applied to images. The point is to think cinéma as a shape of the mind rather than as an image, as a modality rather than as an object, as a way of seeing things rather than as a thing. And as such, this modality, demands to take a critical look on the world of images. In other words, the texts assembled here all present a gap, a distance, a form of detachment taken by cinema itself from the images it assembles or to which it refers. Here, Cinema should be looked at as a mean of looking, it “watches itself watching”, and this observative distance institutes it as a critical posture, often with a sharp conscience of its role and place, a conscience of its status and of its stakes, a conscience of its forms and of its critical tools’s strenght, a conscience that is self-reflexive, perfectly contemporary, synchronous with the distanciated world in which we are immerged and in which beliefs have disappeared to the benefit of conscience.

CINEMA, critique des images is the second of two selections of contributions to the III Paris Summerschool of Cinema and Contemporary Arts and the VII MAGIS - Gorizia International Film Studies Spring School.

Contributions from Emilio Audissino, Martin Barnier, Mauro Buzzi, Rossella Catanese, Alice Cati, Adam Chambers, Giacomo Coggiola, Valentina Cucca, Samuel De Jesus, Miriam De Rosa, Marc Delogne, Glenda Franchin, Evgenia Giannouri, Jakob Hesler, Junji Hori, Anne-Violaine Houcke, Stefano Jacoviello, Blandine Joret, Jorge La Ferla, Julie-Ann Latulippe, Mathias Lavin, Katerina Loukopoulou, Lawrence Thomas Martinelli, Nathalie Mary, Dennis Mathei, Cezar Migliorin, Julien Milly, Lu´cia Ramos Monteiro, Frédéric Monvoisin, Myriam Luisa Diaz Moyano, Massimo Olivero, Maria Do Carmo Piçarra, Alan Salvado, Ghada Sayegh, Raquel Schefer, Johannes Schmidt, Marco Senaldi, Marta Silvi, Francesca Veneziano, and Marc Vernet.

Edited by Claudia D’Alonzo and Ken Slock with an introduction by Philippe Dubois.

CLAUDIA D’ALONZO is a Ph.D. candidate in Audiovisual Studies at the University of Udine.

KEN SLOCK is a Ph.D. candidate in Audiovisual Studies at the University of Paris 3.

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