BackCinéma, critique des images
(book in French)
Edited by Claudia D'Alonzo, Ken Slock and Philippe Dubois
- Type
- Studies
- Subject
- Theory
- memory, archives, aesthetics
- Publishing Date
- 2012
- Publisher
- Campanotto
- Collection
- Zeta cinema
Edition multilingue - Language
- French
Relative size
- Physical desc.
- Paperback • 332 pages
6 ¾ x 9 ½ inches (17 x 24 cm) - ISBN
- 978-88-456-1288-6
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Book Presentation:
(Lectures in French and English.)
This second volume emphasizes on an angle of research seldom adressed in the previous volumes, which considers cinéma as a form or a critical tool applied to images. The point is to think cinéma as a shape of the mind rather than as an image, as a modality rather than as an object, as a way of seeing things rather than as a thing. And as such, this modality, demands to take a critical look on the world of images. In other words, the texts assembled here all present a gap, a distance, a form of detachment taken by cinema itself from the images it assembles or to which it refers. Here, Cinema should be looked at as a mean of looking, it “watches itself watching”, and this observative distance institutes it as a critical posture, often with a sharp conscience of its role and place, a conscience of its status and of its stakes, a conscience of its forms and of its critical tools’s strenght, a conscience that is self-reflexive, perfectly contemporary, synchronous with the distanciated world in which we are immerged and in which beliefs have disappeared to the benefit of conscience.
CINEMA, critique des images is the second of two selections of contributions to the III Paris Summerschool of Cinema and Contemporary Arts and the VII MAGIS - Gorizia International Film Studies Spring School.
Contributions from Emilio Audissino, Martin Barnier, Mauro Buzzi, Rossella Catanese, Alice Cati, Adam Chambers, Giacomo Coggiola, Valentina Cucca, Samuel De Jesus, Miriam De Rosa, Marc Delogne, Glenda Franchin, Evgenia Giannouri, Jakob Hesler, Junji Hori, Anne-Violaine Houcke, Stefano Jacoviello, Blandine Joret, Jorge La Ferla, Julie-Ann Latulippe, Mathias Lavin, Katerina Loukopoulou, Lawrence Thomas Martinelli, Nathalie Mary, Dennis Mathei, Cezar Migliorin, Julien Milly, Lu´cia Ramos Monteiro, Frédéric Monvoisin, Myriam Luisa Diaz Moyano, Massimo Olivero, Maria Do Carmo Piçarra, Alan Salvado, Ghada Sayegh, Raquel Schefer, Johannes Schmidt, Marco Senaldi, Marta Silvi, Francesca Veneziano, and Marc Vernet.
Edited by Claudia D’Alonzo and Ken Slock with an introduction by Philippe Dubois.
CLAUDIA D’ALONZO is a Ph.D. candidate in Audiovisual Studies at the University of Udine.
KEN SLOCK is a Ph.D. candidate in Audiovisual Studies at the University of Paris 3.
> From the same authors:
Le Corps et la Machine (2016)
la pensée de l'image cinématographique chez Jean Epstein et Maurice Merleau
by Ken Slock
Subject: Director > Jean Epstein
Extended cinema (2010)
Le cinéma gagne du terrain
Dir. Philippe Dubois, Frédéric Monvoisin and Elena Biserna
Subject: Genre > Experimental
Oui, c'est du cinéma (2009)
formes et espaces de l'image en mouvement
Dir. Philippe Dubois, Lúcia Ramos Monteiro and Alessandro Bordina
Subject: Theory
Cinéma et dernières technologies (1998)
Dir. Frank Beau, Philippe Dubois and Gérard Leblanc
Subject: Technique > All techniques
Un chien andalou (1993)
lectures et relectures
by Philippe Dubois and Edouard Arnoldy
Subject: One Film > Un chien andalou
Les Voyages de Wim Wenders (1985)
by Catherine Petit, Philippe Dubois and Claudine Delvaux
Subject: Director > Wim Wenders
> On a related topic:
Où est passé le passé (2022)
Traces, archives, images
by Laurent Olivier and Jérôme Prieur
Subject: Theory
Théâtres de la mémoire (2011)
Mouvement des images
by Christa Blümlinger, Michèle Lagny, Sylvie Lindeperg and François Niney
Subject: Theory
Fondation Pathé (2024)
Fondation Jérôme Seydoux Pathé
Collective
(in French, English and Italian)
Subject: Economy
Exploring Past Images in a Digital Age (2023)
Reinventing the Archive
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(in English)
Subject: Economy
Créer, conserver, restaurer (2023)
40 ans de techniques audiovisuelles à l'INA
by Jean Varra
Subject: Economy
La Cinémathèque-musée (2020)
une innovation cinéphile au cœur de la patrimonialisation du cinéma en France (1944-1968)
Subject: Sociology
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