Godard
(book in English)
by Richard Roud
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Book Presentation:
Richard Roud's seminal study of the director Jean-Luc Godard places the director in the context of modern European cinema, on which Godard's work has been hugely influential, and considers Godard's 'political' cinema, including the ferocious masterpiece 'Weekend'. This new edition includes an introduction by Michael Temple.
From the page 4 of cover:
Richard Roud's Godard, first published in 1967 as 'Number One' in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a unique intimacy between the author and his subject. Roud's provocative and far-reaching analysis shows an intuitive understanding of the aesthetic, intellectual and political context in which Godard worked, paying particular attention to his 'political' cinema, including the ferocious masterpiece Weekend (1967).
In his foreword to this reissue, Michael Temple provides an overview of film criticism on Godard, arguing that, more than forty years since its publication, Roud's book remains at the forefront of writings on the director. Temple pinpoints how Roud was uniquely placed as a contemporary of Godard's to follow the film-maker's career from one explosive film to the next, charting the course of the Godardian star even as Roud's own career as a critic and festival programmer was unfolding. He contends that Roud's study was 'a pure product – and a faithful reflection – of a certain tendency in British film culture at the end of the 1960s: cinéphile, progressive, European, intellectual, metropolitan.' For Temple, Roud's work remains a lucid summary of what Godard had already achieved by the end of the 1960s, and provides a suggestive model of cultural criticism with which to approach subsequent aspects of Godard's multimedia artistic adventure.
About the Author:
RICHARD ROUD (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series.
MICHAEL TEMPLE is Reader in Film and Media at Birkbeck, University of London, UK. His publications include, as co-editor, Jean-Luc Godard: Documents (2006); The French Cinema Book (2004), and For Ever Godard (2004) and, as author, Jean Vigo (2005).
See the publisher website: BFI Publishing
See the complete filmography of Jean-Luc Godard on the website: IMDB ...
> From the same author:
Decades Never Start on Time (2014)
A Richard Roud Anthology
by Richard Roud, Michael Temple and Karen Smolens
(in English)
Subject: On Films > Movie magazines
Henri Langlois (1985)
l'homme de la Cinémathèque
by Richard Roud
Subject: Others persons > Henri Langlois
Cinema, A Critical Dictionary (1980)
(2 vol.)
Dir. Richard Roud
(in English)
Subject: On Films > Guides and dictionaries
> Books with the same or similar title:
Godard (2019)
de Manon Lescaut a Manon l'Echo
by Philippe Blanchon and Jacques Sicard
Subject: Director > Jean-Luc Godard
Godard (2005)
A Portrait Of The Artist At Seventy
by Colin MacCabe
(in English)
Subject: Director > Jean-Luc Godard
> On a related topic:
La question juive de Jean-Luc Godard (2011)
Filmer après Auschwitz
Subject: Director > Jean-Luc Godard
Godard / machines (2020)
Dir. Antoine de Baecque and Gilles Mouëllic
Subject: Director > Jean-Luc Godard
Les années Cahiers (1950 à 1959) (2007)
by Jean-Luc Godard and Alain Bergala
Subject: Director > Jean-Luc Godard
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