MENU   

Shame and Desire

Emotion, Intersubjectivity, Cinema (book in English)

by Tarja Laine

Type
Studies
Subject
General
Keywords
emotions, philosophy, perception
Publishing Date
2007
Publisher
Peter Lang (P.I.E.)
Collection
Repenser le cinéma
vol.3
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 154 pages • 48 €
6 x 8 ¾ inches (15 x 22 cm)
ISBN
978-90-5201-062-5
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Shame and Desire defines the contemporary cinematic experience in terms that go beyond the visual. Adopting an intersubjective perspective on film studies, the author maintains that the dialectical poles of subject and object, seeing and being seen no longer seem to be valid. We are now surrounded by images that look back at us provocatively, seductively, indifferently; and not only in movies, but also in art, television, the city, in chance encounters, and in our private relationships.
Taking her cue from Jean-Paul Sartre, the author shows how emotions exemplify the way in which we are ‘forced’ to see ourselves through the eyes of others, unable to escape an identity that is imposed upon us from the outside but nevertheless resides ‘in the flesh’ – in the affective operations of the body and the senses. To illustrate her account of the intersubjective dynamics and affective bonds of cinema, the author explores the contemporary aesthetic investment in the emotional in the work of filmmakers such as Lars von Trier, Michael Haneke and Eija-Liisa Ahtila.
This book proposes an insight into the ways in which we are engaged with visual displays and the look with which they respond to our looking.

About the Author:
Tarja Laine is Assistant Professor of Film Studies at the Media Studies Department of the University of Amsterdam.

See the publisher website: Peter Lang (P.I.E.)

> On a related topic:

Le Pouvoir de l'oubliée:La perception au cinéma

Le Pouvoir de l'oubliée (2015)

La perception au cinéma

by Lucie Roy

Subject: Theory

Cinéma ou réalité ?:Entre perception et mémoire

Cinéma ou réalité ? (2024)

Entre perception et mémoire

by Daniel Sibony

Subject: Theory

La Part du spectateur : Essai de philosophie à propos du cinéma

La Part du spectateur (2016)

Essai de philosophie à propos du cinéma

by Florence Gravas

Subject: Theory

L'Œil et l'objectif:La psychologie de la perception à l'épreuve du style cinématographique

L'Œil et l'objectif (2012)

La psychologie de la perception à l'épreuve du style cinématographique

by Clélia Zernik

Subject: Theory

Perception-cinéma: Les enjeux stylistiques d'un dispositif

Perception-cinéma (2010)

Les enjeux stylistiques d'un dispositif

by Clélia Zernik

Subject: Theory

Note: A book on a beige background is a book published in a language other than French.

23780 books listed   •   (c)2014-2024 livres-cinema.info   •