French Cinema
A Very Short Introduction (livre en anglais)
Moyenne des votes :
0 | vote | = On peut s'en passer |
0 | vote | = Bon livre |
0 | vote | = Excellent livre |
0 | vote | = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "cine-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else.
This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic œuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later.
Voir le site internet de l'éditeur Oxford University Press
> Livres ayant un titre identique ou proche :
> Du même auteur :
Menus for Movieland (2015)
Newspapers and the Emergence of American Film Culture 1913-1916
de Richard Abel
(en anglais)
Sujet : Cinéma muet
Early Cinema and the National (2008)
Dir. Richard Abel, Giorgio Bertellini et Rob King
(en anglais)
Sujet : Cinéma muet
Americanizing the Movies and Movie-Mad Audiences (2006)
1910-1914
de Richard Abel
(en anglais)
Sujet : Cinéma muet
French Film Theory and Criticism 1929-1939 (1988)
vol.1: 1907-1929 - vol. 2: 1929-1939
de Richard Abel
(en anglais)
> Sur un thème proche :
Schneider, Adjani, Delon et les autres (2022)
Cinquante éclats de cinéma
Les Manufactures de nos rêves (2021)
Les studios de cinéma français des années 30
Nota : Un livre sur fond de couleur beige est un livre édité dans une autre langue que le français.